It's November 29 1960, Phil is preparing to appear at the Colonial Theatre, Boston in a 'try-out' for three weeks of the musical comedy, Do Re Mi. Asked why he was doing this show Phil replied; "I'm doing it for business reasons. It's good business to vary the diet. You're going to read a story where I say I'm doing it because it's a challenge. Nonesense; it's just good business."

Phil would play the part of Hubert Cram, a wheeler dealer who just can't make the big time.  Pursuit of the American dream is the subject of Do Re Mi. Hubie Cram is a self-proclaimed dreamer and schemer who is always looking for that lucky break. His long suffering wife, Kay, loves him but can't help wondering what if. Hubie's latest scheme involves a bright new singer with the name Tilda Mullen. Hubie's surprising success with her leads him into the jukebox business and into trouble with the mob. It's Hubie's fate never to succeed, and he doesn't. But Tilda falls in love with hit record producer John Henry Wheeler, and Kay and Hubie are happily married.













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The music was by Phils old friend, Jule Styne, the lyrics by Betty Comden and Adolph Green and the script was by Garson Kanin, who also directed.

After the successful 'try-out' it was off to Broadway with the show, opening on 26th December 1960 at the St. James Theatre, New York.

Headlining the cast, along with the incomparable Phil, was Nancy Walker,  a comic actresss/singer of great ability. Nancy would, later in her career, be best-known as Rhoda's mother on television. Here she shines when singing, "Waiting, Waiting" and "Take a Job". Phil, of course, was not new to playing a con man and here he lends his considerable comedic talent to "It's Legitimate" and "The Late, Late Show", and the two leads make a minor classic out of "Ambition". Incidentally, Phil is particularly good on "It's Legitimate" and he will undoubtably, have you in bits, with the number, "All of My Life".

The teaming of Phil and Nancy was inspired, especially as the script gave them something to bite on. Phil was the protagonist, no question, and Nancy did disappear for stretches whilst the bizarre plot worked its way through a satire on pop music. But two domestic scenes made the Crams alarming and irresistible.  Act one brought us the alarming, in "Take a Job," when Nancy nagged at Phil to get into something secure while he plotted anf fumed: dueling monologues. Act two brought the irrisistible, in the couple's bedtime, each reading a newspaper. "Did a turtle bite a woman in Asbury Park in yours?" Nancy asked.

Choreographing the whole performance were Marc Breaux and Deedee Wood. The
scenic design was very well put together by Boris Aronson, who made the set look like a jukebox!

Interesting to note that the part of Fatso O'Rear was played by George Mathews - he who some years earlier, had starred alongside Phil, in the Bilko show playing Sergeant Quentin Q. Benton also known as the infamous Beast.

On December 25, 1961, the show moved to the 54th Street Theatre, until the curtain was finally brought down on 13th  January 1962 after 400 performances.

At the 1961 Tony Awards® both lead acts, Phil and Nancy, were nominated for Best Actor Tonys, but lost to Richard Burton (Camelot) and Elizabeth Seal (Irma La Douce).

The musical itself was also nominated in the catagories: 'Best Musical', 'Best Musical Director' (Garson Kanin) and  'Featured Actress' (Nancy Dussault)


What the critics said

'Do Re Mi is grand fun, it's delectable' - New York Tribune
'Fast, professional, tuneful, funny and delightful' - Post
'A bountiful and brassy blockbuster a sure fire hit' - American Journal
'Best evening in years' - NBC TV
'An all out smash hit musical comedy. First unqualified
grand slam hit of the season' - Variety
'There is gold in Do Re Mi, it's money in the bank' - New York Times
'A great razzle-dazzle of a musical' - New York News
'A laugh, a frolic a smasheroo' - New York Mirror






































Do Re Mi statistics

Song List ................Sung By

Act I

Waiting, Waiting..............Kay Cram
All You Need Is a Quarter..........The Swingers
Take a Job..........Hubie and Kay Cram
It's Legitimate.........Hubie, Fatso O'Rear,
Brains Berman, Skin Demopoulos and the Loaders
I Know About Love.........John Henry Wheeler
The Auditions.........Marsha, Lou and Gretchen
Cry Like the Wind..........Tilda Mullen
Ambition.........Hubie and Tilda Mullen
Success..........The Tilda Mullen Fans, Tilda Mullen,
Hubie, Fatso O'Rear,
Brains Berman and Skin Demopoulos
Fireworks.........Tilda Mullen and John Henry Wheeler
What's New at the Zoo..........Tilda Mullen and Animal Girls
Asking for You..........John Henry Wheeler
The Late, Late Show..........Hubie

Act II

Adventure..........Hubie and Kay Cram
Make Someone Happy..........John Henry Wheeler and Tilda Mullen
Don't Be Ashamed of a Teardrop..........Hubie, Fatso O'Rear, Brains Berman and
Skin Demopoulos
V.I.P. ..........The Public and Hubie
All of My Life...........Hubie
Finale..........Hubie, Kay Cram and Company  

Opening Night Production Credits

Produced by David Merrick
Associate Producer: Jones Harris
Book by Garson Kanin
Music by Jule Styne
Lyrics by Betty Comden and Adolph Green
Musical Director: Lehman Engel
Music orchestrated by Luther Henderson
Vocal arrangements and vocal direction
by Buster Davis
Dance arrangements by David Baker
Directed by Garson Kanin
Choreographed by Marc Breaux and Deedee Wood
Associate Director: William Hammerstein
Scenic Design by Boris Aronson
Costume Design by Irene Sharaff
Coiffures by Michel Kazan
Assistant to Mr. Aronson
Ming Cho Lee and Lisa Jalowetz
Lighting Design by Al Alloy
Assistant to Miss Sharaff: Florence Klotz
Theatre sound and acoustical facilities
engineered
by Richard H. Ranger
General Manager: Jack Schlissel
Company Manager: Vince McKnight
Production Supervisor: Neil Hartley
General Stage Manager: Bernard Gersten
Stage Manager: May Muth
Assistant Stage Mgr: Bob McClure
Assistant to Mr. Hartley: Robert Schear
Assistant Conductor: John Passaretti
Head Copyist: Brick Fleagle
Music Contractor: Morris Stonzek
Press Representative: Bill Doll
Assistant to the Director: Joan Suny
Casting Director: Michael Shurtleff
Asst. to the Choreographer: Chad Block
Press Assistant: Jeanne Gilbert
Advertising: The Blaine Thompson
Company and Fred Golden

Opening Night Cast

Phil Silvers:  Hubert Cram   
Nancy Walker:  Kay Cram   
David Burns:  Brains Berman   
Nancy Dussault:  Tilda Mullen   
George Givot:  Skin Demopoulos   
George Mathews:  Fatso O'Rear   
John Reardon:  John Henry Wheeler   
Marilynn Allwyn:  A Casa Girl,  An Animal Girl,  Member of the Public   
Doria Avila:  Member of the Public   
Diane Ball:  A Casa Girl,  An Animal Girl,  Member of the Public   
Chad Block:  James Russell Lowell, IV   
Marilyn Child:  Thelma Berman   
Frank Derbas:  A Waiter,  Member of the Public   
Sandra Devlin:  A Casa Girl,  An Animal Girl,  Member of the Public   
David Gold:  The Interviewer,  Member of the Public   
Edward Grace:  Senator Redfield,  Member of the Public   
Regina Groves:  A Casa Girl,  An Animal Girl,  Member of the Public   
Stuart Hodes:  The Photographer,  Member of the Public   
Curtis Hood:  Member of the Public   
Daniel Jasinski:  Member of the Public   
Marc Jordan:  The Headwaiter,  Fatso's Lawyer,  Member of the Public   
Patti Karr:  Dance Team,  An Animal Girl,  Member of the Public   
Betty Kent:  A Swinger,  Gretchen,  Member of the Public   
Ray Kirchner:  Dance Team,  The Sumo Student,  Member of the Public   
Barbara Lang:  Member of the Public   
Josephine Lang:  Member of the Public   
Al Lewis:  Moe Shtarker   
Albert Linville:  The Recording Engineer,  Senator Rogers   
Ken Malone:  Member of the Public   
Jim Marley:  Member of the Public   
Bob McClure:  The Maitre D,  A Commentator,  Member of the Public   
James Moore:  Member of the Public
Al Nesor:  Wolfie   
Dawn Nickerson:  Member of the Public   
Ed Pfeiffer:  Member of the Public   
Carolyn Ragaini:  Marsha,  Member of the Public   
Steve Roland:  Lou,  The Chief Counsel,  Member of the Public   
Donna Sanders:  A Swinger,  Member of the Public   
Suzanne Shaw:  A Swinger,  Member of the Public   
Carol Stevens:  A Casa Girl, Wheeler's Secretary, An Animal Girl, Member of the Public Allan Stevenson:  A Commentator   
Liza Stuart:  Member of the Public   
Dean Taliaferro: A Casa Girl,Wheeler's Secretary, An Animal Girl, Member of the Public Pat Tolson:  Brains' Lawyer,  Member of the Public   
Nancy Van Rijn:  A Casa Girl,  An Animal Girl,  Member of the Public   
Richard Young:  Member of the Public   

Standby: Bernie West (Hubert Cram)

Understudies: David Gold (James Russell Lowell, IV), Marc Jordan (Wolfie),
Patti Karr (Kay Cram), Al Lewis (Fatso O'Rear), Jim Marley (Brains Berman,
Moe Shtarker), Al Nesor (Skin Demopoulos), Dawn Nickerson (Tilda Mullen).

Rehearsal: Phil with lyricist Adolph Green & Producer David Merrick
Rehearsal: Phil with lyricist Adolph Green & Producer David MerrickRehearsal: Phil with lyricist Adolph Green & Producer David MerrickRehearsal: Phil with lyricist Adolph Green & Producer David Merrick
Rehearsal: Phil with lyricist Adolph Green & Producer David Merrick
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Late 1959: Phil makes another appearance on What's My Line?
this time as himself and not Sergeant Bilko
1960: Written by Nat Hiken, plays Fletcher Bissell III (aka The Silver Dollar Kid) in The Slowest Gun In The West - here is a short clip
With co-star Nancy Walker
With co-star Nancy WalkerWith co-star Nancy WalkerWith co-star Nancy Walker
With co-star Nancy Walker
Magnificent stage shot
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Magnificent stage shot
Souvenir Brochure (Press on the image to view)
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Copyright© Jim HalpinCopyright© Jim HalpinCopyright© Jim HalpinCopyright© Jim HalpinCopyright© Jim HalpinCopyright© Jim Halpin